“…I`m not trying to blast all modern music, but I think we should be aware of the fact that Satan can use it as his tool to pull us away from God and into chaotic thinking.”

Hal Lindsey – “Satan is alive and well on planet Earth”

The Nexus Conspiracy – the latest compilation extracted from a source pool of 23 projects – performed and hosted by [Esc.]Laboratory / Art Factory Worms, brings strategies against easy listening – developed by Doc.AtmosfearCrush, Tomahawk & Machete.

We get caught by the tranquillization of [amt_23] and their deep+hypnotizing alien rhythmik soundscapes – grinding into our cortex. The situation slightly changes in to an abstract sound of neuron-clay, by the arrival of [phace / it!] and their great melodic ambient dubyness.

The obscenety of [angström:institute] not only touches right between your legs, it also swings by the cruelty of your broken hearts. [G.umbatz M.onev`s G.reen E.lecktrode] baths your soul in the sonic seas of Sci-Fi-Ambient & Predator-Dub, far away from any known mainframe. Back from the ministry for Industrialization, [interrupt:Jumper] brings you an epic insect tribal hymn – the future never sounded that military. [ur:neon:ono] hides inside the microchips of your digital Hi-Fi, feeds Ambient-stem-cells with Dub-Acidity into your Sound-Systems – the consequent evolution to Intelligent-Melodic-Glitch-Blues. The hunt reaches another peak of anxiety, yet to be satisfied by the impossible [creeper:Robusto] and their fiendly sexual partnership with the demonic Electro-Swing. [Flux:Kompensator] beeps, blurbs and tzitches through your body by the use of extravagant experimental Hazardous-Sounds stitched together in a freightening way of joy. The Incredibility of [Yahuy-Che-Kabah] is to open a virtual door to another wold by painting a movie of sounds, rhythmesized by Blade Runn-Ing-Perussions. [revolting:Robotniks] puts you back on to the liquid ground of the mental sound for the Brave-New-World – a Hymn to the “Cowboys”, hacking against violent Data-Fascism. Like the rewinding of a mantraic prayer, [phace / it!] now shows you a scenic tribal by the radio-tuning of noise and crunched grains – flavoured with Sub-Bass-Brain-sausage. This one`s final song is brought by [off:Error] and their fine selection of an Minimal-Authentic-Recording: feedback, delay, marimba and filters.

Tracklist:

1. [amt_23] – Irregular [10:01]
2. [phace / it!] – Incorrect [06:22]
3. [angström:institute] – Love me like a Machine [06:01]
4. [G.umbatz M.onev`s G.reen E.lecktrode] – Fuji Bambalam [05:19]
5. [interrupt:Jumper] – Strangers [06:14]
6. [ur:neon:ono] – Supermarket Loveaffair [07:17]
7. [creeper:Robusto] – Up Nord [04:21]
8. [Flux:Kompensator] – Strangerthanever [06:34]
9. [Yahuy-Che-Kabah] – Off Distance [04:49]
10. [revolting:Robotniks] – Speedway Anthem [04:06]
11. [phace / it!] – Cocktail Dancing [04:11]
12. [off:error] – Angeldus [02:01]

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Tracklist:
1. [angström:institute] – Go [8:58]
2. [angström:institute] – Goodbye Control [8:33]
3. [Flux:Kompensator] – Endless [5:05]
4. [Gumbatz Monev’s Green Elecktrode] – Slickers [5:43]
5. [interrupt:Jumper] – Home, Sweet Metropolis [8:42]
6. [meta:Human] – Changer of Ways [7:14]
7. [meta:Human] – Dusk [7:28]
8. [phace/it!] – Protect Your Homeland [6:48]
9. [phace/it!] – Slow Drain to Gnawn [7:57]
10. [revolting:Robotniks] – Call of the Night [13:16]
11. [revolting:Robotniks] – Move On [3:38]
12. [Throatwobbler:Manegrove] – Event [3:52]
13. [Tomahawk] – Monimania [9:55]
14. [Tomahawk] – sol2Qx [8:05]
15. [ur:neon:ono] – Rectum Dub Rocker [5:06]
16. [Yahuy-Che-Kabah] – Adenochrome [11:10]
17. [Yahuy-Che-Kabah] – Nine Pages [4:36]

“…The long revolution by which men have sought to translate nature into art we have long reffered to as `applied knowledge´.
`Applied´ means translated or carried across from one kind of material form into another.”

Marshall McLuhan – “understanding media”

The latest compilation – extracted from a source pool of 23 different projects – performed and hosted by [Esc.]Laboratory / Art Factory Worms, scratches the surface of the hypnotic experimental sound developed by Doc.AtmosfearCrush, Tomahawk & Machete.

The journey begins with the incredible [angström:institute] – taking us deep into the rabbit-hole by their dark pulsating beats and concussive ambient melodies. While we got carried further into the labyrinth by [Flux:Kompensator] – combining alien soundscapes and the Dub-like feeling of abandoned cities of concrete and steel – we got uncertainly crushed by the heavy – voodoo of [Gumbatz Monev`s Green Elecktrode] – corrupting the avantgardistic Dub by glitchy nails, made of narrative sounds.
We get some rest by listening to the veteran sonic cultists of [interrupt:Jumper] – celebrating the ritual of industrial chill out music.

Now to something completly different – [meta:Human] is the voice, talking to us about the dark-future, cyber-punk and virtual realities – armed with distortion and the fiendly beats from the streets of the sprawl. By the way – it`s time to lend our ears to [phace/it!] and the two sides of their melancholy – smooth flowing beats, then blown away by the archaic animalism inside us all.
The renegade Cylons of [revolting:Robotniks] infiltrate our central nerve system by their brilliant interpretation of `how an organic mainframe should sound´ – cyborg-jazz gives in the fusion with experimental ambient beats. [Throatwobbler:Manegrove] hides between sleep and wake, just to make sure the overdose won`t kill the circuits – grainy beats are the flesh for the skelletons of post-industrial ambient bodies.

Right when it begins to realy hurt – [Tomahawk] comes along with his healing fusion of modern tribal folk and cyberdelic-ambient-blues. Nearly at the end of our trip through the unusual sound dimensions created by [Esc.]Laboratory / Art Factory Worms – let`s meet [ur:neon:ono] – answering the questions of occult mysticism by their `sub-bass dominated way´ of an utopic feed to systematicly dearrange their caught-up sounds.

To complete this compilation only the presence of [Yahuy-Che-Kabah] is left to be carried on board – influenced by the reptile spirituality of experimenatl minimalistic noise collisions and bonded by glitchy down beats.

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